Headlessgiant.com Dedicated to the youthful empirical assessment of pop culture, and education of young people

1Sep/091

“Roxanne” Gets Her PHD Paid for on Warner’s Dime.

Roxanne Shante

Roxanne Shante

See full article here

26Aug/092

…So Far, On the Blueprint III

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….So far, on the Blueprint III…

…“And I don’t wear Jerseys I’m thirty plus, give me a crisp pair of jeans nigga button-ups”...I’m sure Jay-Z didn’t expect every young hip hop fan to throw out his $200 George Gervin throwback and go to Bloomingdales and pick up a closet full of button ups, but they did. We did. We listened to Jay like he was the headmaster at a boarding school. The only thing was he really wasn’t trying to convince us. He was merely telling us what he did and thought was fly. But with the official release of Death of Auto Tune and Run This Town along with the unofficial leak of Off That featuring Drake off of the highly anticipated Blueprint III album, it seems as though he is now telling us what to do.

Everything evolves, and musically the last two years in Hip Hop have been considerably evolutionary. The Hip Hop scene moved out of New York and into South. The revolutionary but gangster rappers like Public Enemy and NWA were replaced with the more lyrically conscious sounds of the Native Tongues Era. They in turn were followed by very urban/mainstream fusions for a long span that became redundant and sparked the recent uprising of more conscious positive minded acts. These processes are organic and necessary.

With the Death of Auto Tune, Jay is saying very simply, stop listening to auto tune. No subliminal here, it’s very overt. We all know the use of auto tune, although somewhat criticized has been very successful in recent times. It’s built the careers of T-Pain, Ron Brownz and others not to mention that Kanye West recorded his iconoclastic genre breaking album 808 and Heartbreak in complete auto tune and received critical acclaim. DOA seems to have had an invisible “gag order” on the use of auto tune. What was once a musical “Do” in 2007/2008, became an immediate musical “Don’t” in 2009. Should one man have this much power? Run This Town screams, “Look at me, look at me”. He’s Jay. He doesn’t have to tell us that he runs the town. We are all well aware of his relevance and accomplishments. But after your lead single bashes the “In thing” of 2008 and you second single screams “I run this”, eye brows can only begin to raise.

The single Off That is a very dope record. In fact all the songs are great musically. But what is he saying? “Cris we off that, Timbs we off that, rims we off that” Poking fun at lifestyle “don’ts”, almost purposely showing us how powerful he is when the domestic sale of rims, Timbs, and Cristal drop next quarter. Because Jay is so methodical and purposeful with his music you have no choice but to pay close attention to all of this. The point that remains is, if these observations are true, why does Jay feel the need to try and exercise his influence on Hip Hop culture? He used to put people in a frenzy by unconsciously saying things that navigated the direction of Hip Hop. But now it seems forced.  Isn’t Jay above an industry wide diss record or another song telling us how much money he has or how powerful he is? Content aside, the songs are all pretty dope and we look forward to the album.

25Aug/091

Courcy Magnus-”Dopest Shit Ever” Mixtape

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So Japan

In a sea of hipsters, up and coming Pennsylvania based MC Courcy Magnus continues to swim upstream with vivid signs of progression. He demonstrates solid lyrical ability with realistic yet colorful topics. His newest releases Get Rich Quick and Cool Colors and are from the Dopest Shit Ever mixtape which is right now a solo project with production done by So Japan consisting of him and talented producer Atlanta Micky Park. Both Courcy Magnus and Micky Park remain unsigned but continue to put out decorative music.

Get Rich Quick

Cool Colors

21Aug/090

Q&A with 88 Keys

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Thirty-three year old super producer 88-Keys stepped outside the producer seat and into the role of artist in his album debut “The Death of Adam”, with a 14 track jewel. In the interview he talked about the balance of producing timeless captivating music and being a full time father and husband. 88 Keys comes across as peculiar intelligent and humble. Still a fan of music and more importantly life, we had a chance to talk about his decade long tenor in the music business and his many influences.

How did you come up with the concept for the album?

Basically I started working on an album for a company over seas and at the time it was just beats and rhymes. Then eventually I made a song which became the song on the album, “There’s Pleasure in it?” That sparked the idea for “The Death of Adam. Then I scrapped the previous body of work I was working on , and started The Death of Adam. The next record I touched to sample pertained to the same subject matter so that was my sign for Death of Adam… I winded up not doing the album with the company over seas, because it started to become bigger than they were. Their vision was too small, to underground to back pack for me. So that’s how that happened.

On the Album you had a lot of features; Kanye, Redman, Kid Cudi, J Davey, Phonte…etc. Did you reach out to them or did them hear about the project and want to jump on it themselves?

All the features are done by people who are my friends. The minute I found out that I had the deal to do the album, Kanye was more excited about it that me, He told me he was going to be on it. Ye and I have been best friends since 2001. It was a cool thing for him to strongly volunteer himself on my album. Redman and I go back, but that was the labels call to put him on the album. They wanted him to be on song the Burning Bush. It was their call and I agreed with it. It was a genius idea. The label thought he could add the whole “Funk Docta Spot” vibe to it {Laughs}. Cudi jumped on the song “Hoe is Short for Hunni”. Initially that song was going to be an instrumental, but I felt that the song needed lyrics just to drive the point home. Initially I was going sing on the song my self  but my home girl who’s a songwriter came through and I actually tried to sing the song with her, but it didn’t came out that hot. Then I went back to thinking it was going be in an instrumental. I had a few people in mind to do it but, Cudi, his talent was so unique and so raw at the time I chose him. We had already worked together on the “Wasting My Minutes” on my mix tape, so I knew he needed to jump on this. Cudi and I are also friends so it was a perfect match. Everyone on the album is a close friend, not just artists who were hot right now. They were all right for the project.

28Jul/090

J.Cole and XV freestyle!

J.cole and XV on Dj Enuff

Cited @ nahright.com

Filed under: Music, Videos No Comments
28Jul/091

“In the black community there is a depression not a recession”~Rhymefest

Chicago rapper Rhyme Fest speaks out encouraging city hall to allow Wal-Mart to continue with plans to build an establishment in the Chatham section of Chicago  yesterday. "Jobs or Else" is the slogan used to rally fellow neighbors against City Hall. This Wal-Mart will create anywhere between 300-500 jobs for people in the neighborhood.

See full article here

Cited at the Huffington Post

27Jul/091

Song of the Week- Wale-Um Ricka f.K’Naan

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DC Artist Wale and Somali Artist K'Naan, team up to produce a monster record "Um Ricka". Both artists being of African decent, attack issues of immigration, assimilation, education, and the over glorification of "gangsterdom". Enjoy the message!

23Jul/091

The Cool Kids – Jump Rope

new music form the COOL KIDS

Music found at Nahright.com

Download Here

Filed under: Music 1 Comment
21Jul/091

North Carolina’s Finest


I wrote an article on J.Cole last week for Limite Magazine, and it dawned on me that I hadn't put his mixtape on the site, so here it is!. This guy is definitely a huge talent and a lot of this sucka MC's better step it up. Enjoy.

Full article here.

Download J.Cole- The Warm up

Filed under: Music 1 Comment
21Jul/090

Q-tip rocks central park!

...Everybody get on up...everybody get on up...get up...get on up. The DJ opens up with a historical piece from James Brown as he scratches the record giving the atmosphere the most appropriate hip hop ambience. Stretching his arms over the crowd he introduces an artist baptized in Hip Hops own flow. With no further interruption Q-Tip strolls out onto the stage with the expected nonchalant demeanor and begins to perform like the vet he is. Performing hits from Midnight Marauders, The Low End Theory, and People's Instinctive Travels and the Paths of Rhythm the hundreds of people gathered to see Q-Tip were pleased to see that one of HIP HOP’s icons has still remained true to the game.

Written by Brian Murray

Filed under: Culture, Music No Comments

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